I don’t think one mode of filmmaking is inherently better than another. What I care about is that there is a mode of filmmaking. No matter how subtle, even invisible-feeling a successful film’s “style” can be perceived, it’s successful because that “style” is intentional. Motivated. Crafted and cared for by its team of filmmakers, led by its director.
This Mystery Film Is a Filmmaking Masterclass — But Not in a Good Way
Little things, big problems.